Pencerobohan tentera zionis yahudi laknatullah sudah lebih satu minggu dan telah meragut ratusan orang Palestin, di antaranya puluhannya adalah kanak-kanak. Pencerobohan ketenteraan laknatullah ini juga munculnya tali barut yahudi di Gaza.

Anak muda di atas (kelihatan dalam gambar) tengah dipijak kepalanya oleh seorang perempuan tua. Tahukah siapa yang menginjak kepala anak muda itu?

Perempuan itu adalah ibu kepada anak muda tersebut. Si ibu merasa malu dan mendapatkan aib kerana anaknya telah memberikan maklumat kepada perisikan Israel tentang kewujudan para pejuang Palestin.

Ibu itu yang mengandung dan membesarkannya tetapi ibunya ihklas melihat anaknya dihukum mati di depan umum, supaya memberi pengajaran bagi yang lain.

Dia sendiri, walau dengan hati hancur memijak anaknya itu. Melihat kejadian ini beberapa orang memberitahu, “si ibu memijak kepala darah dagingnya sendiri kerana di sana ada tujuan yang lebih kuat dan lebih mulia iaitu tanah dan kehormatan Palestin.” -FB BS

Binatang Dari Neraka Jahanam

Dikisahkan dalam sebuah kitab bahwa apabila tiba hari kiamat nanti maka akan keluar seekor binatang dari neraka Jahannam yang digelar Huraisy, yang mana panjangnya ialah jarak antara langit dan bumi dan lebarnya pula dari timur hingga ke barat.

Apabila ia keluar maka malaikat Jibril a.s berkata, “Wahai Huraisy, kamu hendak ke mana dan kamu hendak mencari siapa?”

Lalu berkata Huraisy : “Aku mencari lima jenis orang .”

1. Orang yang tidak mengerjakan solat.

2. Orang yang tidak mahu mengeluarkan zakat.

3. Orang yang mendurhakai kedua orang tuanya.

4. Orang yang suka minum arak.

5. Orang yang sangat suka bercakap-cakap dalam masjid hal dunia.

Incheon Tri-bowl is a remarkably shaped exhibition and performance space created by iArc Architects, who with this project wanted to defy the notions of every-day architectural forms.
 
From the Architects: The Incheon Tri-bowl is started with the idea being against to general thoughts about architecture. It is composed of a curved floor with a flat roof instead of a flat floor with a curved roof of general architecture. This memorial hall is basically used for exhibitions and is designed to have a wide ceiling for those exhibitions.
LED lamps, composing the ceiling, make different information available on those at any times. The structure is floating on a rectangular reflection pond and patrons will be entering it through a long bridge passing underneath of the mass. The interior was finished with a transparent material and also a lightweight structure with being separated to the shell body.
The circulation of patrons is in the trace of a continuous cubic curve which is making multiple actions like circling, going up and down and etc. There are service space consisted of rooms for exhibition, performance and rest as well as office space. The exhibition and performance space can accept about 400 people and the patrons can see the exhibits hanging from the ceiling through the trace of a cubic curve. It is mainly a one-way curved surface from a free curve and a conic curve under the shell body.
The exterior is finished with exposed concrete on the lower part of the shell while the upper part of the shell is finished with aluminimum panels.

Miro Straka’s conceptual project thus begins as a single cell, gradually forming a fetus. With this design the building itself grows and ages with time, starting from nothing and developing into a piece of inhabitable space. The structure is built like growing vines tangling together and stretching around the building in an organic and natural rhythm.

The seed becomes a basic spatial characteristic determining the shape evolving process and final diversity. From the basic form a skeletal system is produced, a thin rib-like structure where loads are minimal. This system transfers loads through a spine into the thicker fluent pelvis and grounding it with a long strong femur according to Miro Straka.


The skin is assembled by pillows with liquid that circulates through the system based on temperature requirements. The floors branch out and grow along the skeletal system, reaching full maturity between age 5 and 8. In its entirety this design focuses on the process, how architects can start with a line and from there have it grow into a building to the point where the initial starting point becomes blurred into the whole.

The concept of the New High Speed Station Napoli Afragola, designed by Zaha Hadid , emerges from the idea of enlarging the overhead concourse, required to access the various platforms, to such a degree that it can become the main passenger concourse itself.
This train station is intended to serve as a transit hub that will function as a gateway to the city of Naples, and so it makes sense that Hadid took inspiration from the concept behind the common bridge.


The most obvious connection between the station and the concept of a bridge can be found in the architecture itself – the 2000m2 (21,528 square feet) structure stretches along the land and eventually reaches up and over the train tracks, creating an overhead interior concourse. Travelers use this bridged area in order to get to platforms on the opposite end of the building without having to go outside, likewise, local residents can use the station to get from one adjacent neighbourhood to the next without having to go around the property.
“This is a through-station that acts as the nucleus of a new, proposed business park linking the various surrounding towns. It also allows two strips of extended parkland to move openly through the site alongside the tracks, opening and connecting the station to the surrounding landscape and business park…Our concept is a bridge extending across the tracks, an urbanised public link shaped by a dynamic architectural language geared towards the articulation of movement.” Zaha Hadid

Dutch architecture practice Emma Architecten have completed a new visitors pavilion and cafe at Fort Diemerdam in Amsterdam.

The coastal battery Fortress Diemerdam is part of the Stelling of Amsterdam, a former defence line around the capital, which was constructed between 1880 and 1914. The defence line consists of 46 forts and batteries, dikes and sluices at about 15 kilometres from Amsterdam, that by means of inundation would protect the lands of Amsterdam.
In part of the project restoration and renovation of Fort Diemerdam in Amsterdam for the UNESCO world heritage list, a pavilion with a cafe is designed and built by Emma Architecten.
The pavilion stands on the site of a former soldiers shelter. The existing bunkers and fortress guardian house have been restored.




The footprint of the former wooden cottage is taken as the basis for the restaurant. A wooden wall protects the place and the hospitality which is housed within. Whole design concept design is inspired by the undulating forms of the slopes and the surrounding landscape.

Dejan Hristov is an avid car design enthusiast from Skopje, Macedonia, specializing in industrial design, illustration and print.
The Bugatti Super Sedan is stylish design with some innovative ideas for the supercar. For example, when not in use, the headlights are hidden behind a body-colored panel, giving the car an unique appearance from the front. The doors open in a gullwing manner, exposing both the front and rear rows of seats.

Super Sedan might seem contrary to the signature offerings of the Buggati Veyron, but pursuing the trend of some other sportscar makers is this classy executive saloon design. However considered a full-size high-class vehicle, the Super Sedan continues to be loaded with the same raw performance and contemporary texhnological amenities you’d expect coming from Bugatti.





Perhaps the purist should be able to appreciate this make an effort to broaden the brand’s appeal beyond that of down and dirty fans.